Showing posts with label Black and White. Show all posts
Showing posts with label Black and White. Show all posts

20 Apr 2024

Nature in Monchrome

This photo was quite boring in colour, just awash in pale green with nothing appealing at all to look at, however in monochrome it has more of a beauty for me as it highlights the leaves in a wonderful contrasty abstract pattern that puts natures order in the foreground. Amazing what stripping colour from a scene can do.
 

9 Apr 2024

Tree Silhouettes in Monochrome

Trees have wonderful shapes & forms and make great subjects for photography. Sometimes that great natural look is straight up. I used the 16mm Fisheye for this as it gives a great perspective. Converted into low-key black and white images in DxO PL6.





19 Feb 2024

Light, Form and Texture 14

On a discovery of minimalist black and white photography where light, form and texture are more important than subject matter.


 

18 Feb 2024

Light, Form and Texture 13

On a discovery of minimalist black and white photography where light, form and texture are more important than subject matter.
 

17 Feb 2024

Light, Form and Texture 12

On a discovery of minimalist black and white photography where light, form and texture are more important than subject matter.


28 Nov 2023

Light, Form and Texture 11

On a discovery of minimalist black and white photography where light, form and texture are more important than subject matter.

Nikon D850, 70-300mm lens, handheld, edited in DXO PL 6.


 

26 Nov 2023

Light, Form and Texture 10

On a discovery of minimalist black and white photography where light, form and texture are more important than subject matter.

Nikon D850, 70-300mm lens, handheld, edited in DXO PL 6.


 

19 Sept 2023

Light, Form and Texture 9

On a discovery of minimalist black and white photography where light, form and texture are more important than subject matter.

Nikon D850 & Sigma 105mm f2.8. Handheld. Elinchrom studio light with grid, remote trigger.


 

Light, Form and Texture 8

 On a discovery of minimalist black and white photography where light, form and texture are more important than subject matter.

Nikon D850 & Sigma 105mm f2.8. Handheld. Elinchrom studio light with grid, remote trigger.


 

18 Sept 2023

Light, Form and Texture 7

On a discovery of minimalist black and white photography where light, form and texture are more important than subject matter.

Nikon D850 & Sigma 105mm f2.8. Handheld. Elinchrom studio light with grid, remote trigger.


 PS: the kitchen is a great place to find interesting stuff to photograph.

Light, Form and Texture 6

On a discovery of minimalist black and white photography where light, form and texture are more important than subject matter.

Nikon D850 & Sigma 105mm f2.8. Handheld. Elinchrom studio light with grid, remote trigger.

No desaturation required because the subject was already very monochrome.


22 Oct 2022

Light, Form and Texture 5

On a discovery of minimalist black and white photography where light, form and texture are more important than subject matter.

Nikon D750 & NIKKOR 50mm f/1.8G. Handheld.




17 Feb 2021

Light, Form and Texture 4

 On a discovery of minimalist black and white photography where light, form and texture are more important than subject matter.

Nikon D750 & NIKKOR 50mm f/1.8G. Handheld.


23 Dec 2018

Light, Form and Texture 3

On a discovery of minimalist black and white photography where light, form and texture are more important than subject matter.

Olympus OMD E-M5 Mll & Olympus 12-40mm f2.8 PRO. Handheld.


9 Dec 2018

Light, Form and Texture 2

On a discovery of minimalist black and white photography where light, form and texture are more important than subject matter.

Olympus OMD E-M5 Mll & Panasonic Lumix 25mm f1.7. Handheld.


Light, Form and Texture 1

On a discovery of minimalist black and white photography where light, form and texture are more important than subject matter.

Olympus OMD E-M5 Mll & Panasonic Lumix 25mm f1.7.


14 Mar 2014

Jetty on the Öresund



Long exposure photograph during the day made possible through a combination of an overcast sky, a small aperture, an ND8 neutral density filter and a good tripod. Still only managed to squeeze out 13 seconds, but it was enough to totally smooth out the water.